Amberley Publishing now features Street Furniture, published mid-Feb 2022, on its website where it can be ordered at https://www.amberley-books.com/street-furniture.html Perhaps the ideal Valentine’s day prezzie!
Delighted to say that the Association for Industrial Archaeology has given this year’s Peter Neaverson Award for Outstanding Scholarship to England’s Co-operative Movement: An Architectural History. It is a real honour for me, and for Historic England and Liverpool University Press. Many thanks to all who helped the book on its way!
While we’re waiting for the co-op architecture book to be published, here’s a bit of fun to be going on with, an A to Z of Co-op Architecture with lots of pics Pearson Coop A to Z Enjoy!
Here it is, and see a lot more about the book on https://liverpooluniversitypress.co.uk/books/id/53142/
Back from the Isle of Man, and many thanks to the island’s Victorian Society for all their kindness and hospitality. This miner, in glass reinforced concrete, is one of several such impressive (and expressive) images by David Gilbert on the exterior of the 1986-7 wing of the Manx Museum. I made it to the top of Snaefell, but can’t wait to go back to the island for more splendid seafood and excellent beer!
It’s taken a while, but the co-op architecture book is now complete and with the publisher, Liverpool University Press, who will publish it under the Historic England imprint sometime in 2020 hopefully. The whole project has lasted about five fascinating years, travelling around looking at co-op buildings and delving into archives. Thanks to all the staff at the many libraries and archives visited, especially the National Co-operative Archive in Manchester, with whom I shared the joys of working while the surrounding co-op estate was being renovated! Never a day without scaffolding….. These two pics, art deco Tamworth and brutalist Aberdeen, show just how varied co-op architecture can be. Can’t wait to see the proofs.
Many thanks to Darwen Terracotta in Blackburn for the trip round their works a few weeks back. Fantastic to see the whole process in action, along with some splendidly strange ornamentation in course of production, like this scary monster! And of course big thanks also to @tilesocorguk for organising the trip.
Made my first visit to Bradford Industrial Museum recently, and what an excellent place it is, packed full of working (check before you go, as they say) textile and other machinery. The line shafting on the ground floor of the mill is the best display I’ve seen, while the assorted weaving and spinning machines upstairs are brilliant, really make the process come to life. Indeed, one of the machines is so complex, bits of metal ‘arms’ waving in all directions, that it almost seems alive. It is a huge place, with lots more to see, including some good enamelled metal adverts. It was originally Moorside Mills – congratulations to Bradford Council for keeping it open and retaining the free admission policy. Well worth a visit.
This unicorn from Robinson’s Brewery in Stockport features in a paper I gave on beer and heraldry almost two years ago, to a conference partly organised by the Heraldry Society in London. It has now been published on the web, part of a wide-ranging collection of papers from the conference. It is an illustrated pdf available at Beer and heraldry.
Yes it’s the solstice at last so the nights (after this one) will be growing shorter and the dog-walking and photography days will be getting longer. Beers all round. Finally, a merry Christmas and a happily industrial and industrious new year to all! The, er, card is of course adapted from one of Dorothy Annan’s 1960s tile murals, originally at the Fleet Building near Farringdon Station, now rescued, restored, and mounted on the High Walk just beyond the Barbican Centre. Well worth a Christmas diversion.